Archive for the 'Witchcraft & Magic' Category

Tales from Between the Worlds

Lake Sasamat

The Gathering for Life on Earth is British Columbia’s main Pagan festival and has been a successful gathering of community for over twenty years now. It’s where all the different local paths, groups, solitaries, elders, and newbies can come for a long weekend and celebrate our magical lives together. I’ve been to three previous Gatherings just as a merchant and an attendee enjoying all the rituals, workshops, and main events, but this year the chair of the board, who is also a dear friend, sweetly roped (*cough* voluntold) me into being events coordinator when the previous one had to back out due to her job. After months of board meetings, planning, organizing, and crossing our fingers we’d get enough registrations to pull it off – we did and the festival was finally upon us. Some of the events of the Gathering were so moving and powerful that I’m going to write of them as separate tales. This post is to give you an idea of the overall awesomeness of the festival.

Every year we choose a new theme for the festival and this year’s was “Between the Worlds”. I admit it sounds vague, but I think we managed to tie all the rituals, events, and the overall feel of it into a theme of sacred space, altered consciousness, and awareness of spirits and deities being all around us. The opening ritual was performed in traditional NROOGD fashion with beautiful robes, beautiful liturgy, and a beautiful altar. After invoking the God and Goddess with lush words, Persephone and Chthonic Dionysos bedecked in finery led us through the door between the worlds into the underworld with the men and women chanting their own verses in rounds as we spiral danced our way through black raven gates. Then the animals were invoked and we all donned masks of creatures great and small and we mimicked the animals’ movements dancing and twirling wildly around the circle in the fading light of dusk. The sacred space was left cast for the duration of the weekend around the whole site in the forest so that we were literally between the worlds for the whole event.

Music by the sacred fire

Well after sunset on the first night was the traditional skyclad ritual, but the mead had found me first and then the sacred fire surrounded by lovely people – faces known and new. We introduced ourselves and talked and teased. A few of the men started drumming and I joined them, borrowing a friend’s djembe. During a break I felt called to the lake and walked alone along the beach and then out to the end of the dock and dipped my feet into the cool, still waters perfectly reflecting the stars and greeted the spirit of the lake and the spirit of the night. I lay down and watched shooting stars and the dark shadows of bats flying above me until I heard the most haunting ethereal music coming across the water from the fire. It sounded like fairy music from ancient folk tales and ghost stories. I let it draw me back to the fire and found the Shaman playing his wooden flute in harmony with a violin played by a lovely druidess who had come all the way from Montana with Eric. I sat by the fire and closed my eyes and let the lush music feed my soul until it was time to be whisked off to the dream world.

My Forest Grove Botanica incense in the marketplace

My Stang & Cauldron wares in the marketplace

The next morning was filled with a nature walk getting to know the genius loci of the forest, a drumming 101 workshop, and a discussion group on the NROOGD tradition of Wicca hosted by an elder who’d come all the way up from California. The sun shone down and many people gathering on the big deck of the main lodge soaking up the sun while listening to a group of musicians play fiddle, guitar, and bodhran. I set up the marketplace for the merchants and then helped the Shaman prepare for his hosting of the main ritual in the forest after lunch. The “Passage Through the Underworld” ritual to heal the ties between us, our ancestors, and the land was beautiful and moving. Eyes were wet with tears and hearts were touched. After, while another friend of mine taught a hypnotherapy workshop, some of us stayed circled around the fire in a huge cauldron to finish off the libation mead and smoke a good cigar in offering to the spirits. This resulted in us being more than a little toasted for the Plant Spirit Discussion group right after, but the mead-induced trance state seemed to work in the Shaman’s favour as he talked to us about ritual death, ego death, and the surrender of control that ritual entheogens can teach us. He scared a few people who thought it would be about dryads and fairies, but the majority of those there soaked it all up and offered their own experiences in return.

Feeding the fire

After dinner that evening was the Bardic Festival. We call it a no-talent bardic, but it is more often than not packed with talent or, at the very least, entertainment. We had two singers with guitars, Kerri with her violin and gorgeous voice, Fritz singing “White Folks Was Wild Once Too“, the drumming 101 students playing the African rhythms they’d learned on djembes, a story of Pandora’s box, Eric with a monologue from a play, and many other offerings. The sun set, the fire roared by the lake. The drum circle started. There were djembes, bodhrans, snare drums, and a big wood and hide barrel drum. I came with a drinking horn hoping to drum, but before I could, the women dancing around the fire got a hold of me and pulled me in. We danced and danced and the drums got faster and faster. Bits of clothing started to come off with the women creating a game, teasing that more drumming equals less clothing, slower drumming or breaks and the clothes come back on. The men tried so hard to keep up the drumming, but it’s tiring, sweaty work (and I’m sure easy to get distracted by half-naked women) and they broke a few times to which I shouted “a real man could keep it up!” and the drumming would start again. We finally stopped, exhausted and laughing, drinking deeply. We stayed up dancing, drumming, and talking around the fire and in the darkness under the stars until the horizon across the lake was getting far too light for my tastes and I slipped back to my cabin to sneak in what rest I could.

Raindrops on Western Hemlock

Drums by the hearth

Sunday was a day of ritual and rain. In the morning two lovely local high priestesses hosted the Lesser Banishing Ritual of the Pentagram along with the Middle Pillar Ritual after which I hosted my workshop on altered states after casting sacred space and putting everyone to work with ritual trance techniques (I’ll go into it further in another tale). After lunch were the men and women’s mystery rituals. The women performed a new moon healing ritual and the men worked with their ancestral lines. The annual general meeting for the festival was held before dinner and board members were elected – looks like I’m doing this again next year! Then we feasted and I hosted a couple hours of storytelling by the fire inside the main lodge with the rain falling on the roof – a young man brought down the house with laughter telling the creation story “Coyote and the Assholes“. Afterward, when the sun had set, those who had come to my workshop came to me and asked to try my flying ointments. I brought out two large jars made with mandrake – one with grapeseed oil and one with duck fat and more and more people let go of their fears and tried the ointments. The musicians started up on their fiddles, violins, and drums by the hearth and much perfect chaos ensued late into the night to the heavy beating of the rain and the loud croaking of frogs… but that is also another tale.

The NROOGD Altar

Monday was the final day of the festival. We all sat sleepily at breakfast talking as much as we could with our newly made friends. We all pitched in and helped clean up the site, putting away the long strings of lights that had lit the paths at night, the women putting away the silks of Aphrodite’s Temple.  After a delicious lunch the NROOGD group held the closing ritual to continue the rite they’d started on Friday night and closed the circle. Back we travelled with Persephone and Dionysos through the raven gates, back we travelled between the worlds to the mundane realm, with many of us reluctant to go.  The chthonic pair asked us what we had learned, how we had changed, what fears we’d overcome while in the otherworld. Almost everyone seemed to answer “letting go, surrender, losing control” as the workshops and rituals had all unintentionally focused on this theme; letting go of our dead, letting go of our egos and self-consciousness, letting go of fears and surrendering to altered states of being (and mandrake), letting go and trusting ourselves and each other… It was a beautiful thing to see such shared experiences and how we had all come together as one community.

Aphrodite's rose in mist

After this heartfelt and playful ritual full of song, the women split off from the men and gathered all the roses from Aphrodite’s temple and made a procession down to the lake. We all stood at the very edge of the dock and released the petals from the roses one by one into the waters while chanting “strong like the ocean, gentle like rain, river wash my tears away, Aphrodite”. Some women made wishes and some offerings as the flowers floated away into the lake surrounded by mist-covered mountains. The men watched us from across the lake, standing at the sacred fire. And it was done. There were hugs and sniffles and smiles as everyone made the rounds to say goodbye and make their way home. It was hard to leave that lovely forest by the lake and the amazing energy we created this year.

I had such an amazing time I didn’t take a single photograph and all of the ones in the post are by the lovely Cindy from Witchy Rambles. Thank you to everyone who helped to make this event so special and thank you to all the lovely new people who came (especially you delicious Americans) and showed us through new eyes how blessed we are by our local community. Slàinte mhòr!

Aphrodite's Temple offerings to the lake

Of Black Henbane and Black Bear Fat

Straining the rendered bear fatStraining the rendered bear fat

A while back I wrote about being lucky enough to get my hands on some fresh local black bear fat which I rendered over a period of days into an oil this winter.  I had been actively looking for wild fats to use in my ointment making and decided that a pairing of black henbane with the black bear fat would be perfection. Mundanely because animal fats have been shown to cause plant alkaloids to absorb faster and better than vegetable oils (and there are few animals fattier than bears), and metaphysically because they both share magical associations. Bears are masters of the dream world with how much of their time they spend sleeping in a half-death-like state akin to trance. It makes me wonder how much of their lives are spent in the spirit world.

Finished jars of bear oil with a drum made from the hide Jars of finished bear oil with a drum made from the hide

Bears are sacred to the Moon which to me means sacred to the underworld, the night, one’s spirit fetch, and the subconscious and unconscious minds (dreams, emotions, and animal instincts). According to Ted Andrews, bear medicine can help us to bring things up from our subconscious into our awareness. As most of our psychic abilities dwell in the subconscious, the underworld of the soul, I believe Bear can help us to better access and make use of them – whether they be of seership, prophetic dreams, or shapeshifting.

Processing black henbane seeds

The black henbane I grew in my garden and have had a gardener’s love affair with for the past few years even though the flowers smell of rotting meat and onions, the leaves are hairy and sticky, and it’s a bit of murderer when it comes to insects. It grows like a weed for me and I always ended up with more plants than I intended to grow. Henbane isn’t just a poisonous plant associated with witchcraft and having a long history of use in ancient Pagan rites of divination in Greece and Northern Europe, it’s also an excellent topical pain-killer and our ancestors once used it as a sedative long before our modern anaesthetics.

I painstakingly processed my last harvest for all the seeds and then cut and ground up the stems and leaves, weighing it all and adding it to the bear oil. After the mixture infused for a while I tested it rubbing the oil over my heart and the top of my spine. I didn’t notice any effects, but did note interesting dreams (which says something when you’re an oneiromancer). I doubled the amount of henbane added and let it sit and infuse before testing it again. The next tests were much more fruitful. The henbane and bear oil produced a light, beneficial altered state and I found it really enhanced my trance work and dream walking. I noticed the effects and benefits of it much more in ritual use and in the otherworld than just the mundane physical reaction.

As I’m a seer, I noticed it significantly enhanced the abilities I already have when it comes to receiving visions and prophetic dreams. Henbane is also known to produce a sensation of flying making it excellent for spirit-flight and shapeshifting. Like many other entheogens, it seems to respond to the user’s intent as well as their predisposed psychic and magical abilities.

The finished flying ointment

All that was left to do was add a preservative and some local beeswax. I use balm of gilead in all of my flying ointments because it is found in many traditional flying ointment recipes with properties of aiding in spirit-flight, and also because balm of gilead is a natural preservative (and an antibacterial & antimicrobial) rivalling most man-made ones. Funnily enough, balm of gilead (aka poplar buds) are also a very strong anti-inflammatory making its combination with henbane very good for topical pain relief. So you can kill two birds with one stone by taking care of your arthritic knees or sore back while performing your rites of magic and spirit work. Keep in mind henbane is a poison and may cause irritation for those with sensitive skin. Wash off the ointment after use and be careful not to touch your nose, mouth, or eyes and keep it far away from mucus membranes – this is not the ointment to pick for sex magic! That’s what mandrake’s for!

I have to include a legal note for this ointment. Bear fat is illegal to purchase in some US States – you are responsible for looking into your own local laws before buying (imported from a legal area may be fine). Bear fat is only listed as “fat of wild beast” on the label, so purchase at your own discretion.

Now available in the shop in small 15 ml amber glass jars: Henbane Ointment

Toe of crow and foot of hare, leg of toad, and tooth of bear...Toe of crow and foot of hare, leg of toad, and tooth of bear

And now for a little sneak peek at what I’m crafting tomorrow to sell in the shop on Friday. This witch is feeling an itch to craft amulets and talismans again… Out comes the box of bones and taxidermy bits, spools of cotton thread and sinew, leathers, awl, and sewing needles.

The Back Room

Bones, hearts, tongues, alrauns, and bird skull

You may not know they exist, you may have heard rumours about them, or maybe you’ve been invited into a back room. Maybe one day when you were visiting your favourite botanica or occult shop the owner leaned conspiratorially towards you and quietly told you if you needed anything you could not see – just to ask them for it. Maybe one day you did ask for something (something more advanced, darker, rarer, shady…) and they took you with them to the back of the shop where most people think there’s an office or boxes of inventory. But that’s not what you saw. You saw a temple and altars and ritual tools and shelves of objects looking like they came from a wild witchdoctor’s hut. Perhaps there were herbs rumoured to cause madness or death and perhaps there were bones and skulls. Maybe it was normal for you and you bought exactly what you needed, or, maybe a whole other world opened up and you realized, up until that moment, you had only scratched the surface of the magic available to you.

I’ve always had a back room, but only a handful of local magicians and long-term customers have known about it. The back room exists in Stang & Cauldron where shifty, darker, and more advanced items are sold: poison plants, skulls and bones, hearts and tongues, dirts and dusts. If you seek it, there is a chance I will have it or find it for you (seers make very good procurers). You must know what you are asking for and how to use it and accept sole responsibility for its possession and use and I always reserve the right to say no to a request – especially if it’s illegal. It’s an unspoken rule that only those who do not need hand holding are invited into the back room. There is no way to physically or digitally access the shop’s back room – just fire me an email if you’re looking for something in particular.

The back room also exists here on this blog in the form of private password protected posts divided into two main diaries. I will also be password protecting posts I consider more personal regarding my personal praxis and don’t feel comfortable sharing with the general public.

The Bone Collector Diary will tell tales of my practice processing dead animals (mainly roadkill) in a safe and sacred manner to turn their remains into ritual tools for spirit workers. As I work with other bone collectors I will speak of our practices and adventures together as well. These entries are private because of this practice feels very personal to me, the graphic gorey content will offend some people, and because I will be writing about others who want more privacy.

The Veneficia Diary is where I will write of my ritual practices and experiences with entheogens. I grow poisonous plants, I ingest poisonous plants, I smoke poisonous plants, and I make and use classic flying ointments. This diary will be kept password protected because I am not yet comfortable writing openly of this part of my practice and there are some grey areas with some of the plants worked with.

I emailed out the password to people I feel I know well and who agreed to a disclaimer. If you didn’t receive the password it’s because I don’t know you well enough to share these more personal aspects of my spiritual praxis with you and I hope you won’t be offended by my choice to keep some things more private. If you and I have chatted about these topics away from the blog and you didn’t receive the password it’s probably because I don’t have your email or I have forgotten you (sorry) – email me to find out. I reserve the right to say no to anyone who asks for the password and also to revoke access to the posts without warning. The password is subject to change at any time.

Note: There has been some confusion – this blog is still continuing as it always has. I am still writing this blog for the general public. There will still be new posts for you all to read. I’m not going anywhere. Only a tiny handful of posts will be password protected. You won’t even notice.

The Witch’s Egg Moon

By flame and goat and cauldron

I prepared a small feast of fruits, great Granny’s fruitcake recipe made by my mom, and cracked open a bottle of local ale for the Moon and my spirits. I lit the candles and spoke my invocations which are more akin to invitations with such familiar spirits.  I anointed my forehead, breasts, belly, hands and feet with holy water to purify and align myself with the Moon. I asked for blessings upon my family, friends, and even my enemies.  I spoke from my heart and caught my spirits up with my life, what I’ve learned from recent experiences, what I know I need to do to live my truth, and asked for advice and aid on the things I am having trouble with.

Offerings of food and ale

I burned my homemade moon incense fragrant with sandalwood, jasmine, and calamus root. I shared in the feast of food and drink having a holy communion with my spirits. I anointed myself and my bear skull with henbane from my garden steeped in the bear fat I rendered. They pair well. Henbane’s oldest use is divination – for dreams and visions. Bears are masters of the dream world with how much of the year they spend asleep in an altered state between consciousnesses. Covered in the bear’s oil, I bathed naked in the light of the full moon soaking it into my soul.

Grandmother Crow looks on

Burning moon incense at the altar Spirits listening

I shuffled my tarot cards and did a simple spread. The cards were good – all related to my spiritual path, crafting, and good friends. They showed I was leaving the negative behind me. An extra card appeared by the spread. It didn’t fall out when I was shuffling or drawing and it couldn’t have slipped off the top of the deck – the spirits are tricksy sometimes. I have gotten this card many times relating to the future. It shows I have followed my fate well with a good heart and it will come to pass.

I blew out the candles, slipped under my blankets and dreamed full moon dreams. I dreamed advice and answers to my questions. I dreamed of a gorgeous black stallion and a softer than soft black female tiger – both connected to travel, communication, and the otherworld (or perhaps the underworld) in this dream. I often dream of black animals and many of my familiars are black.

The Priestesses Make Mead

The crushing of the berries

Last week I got together with my lovely friend Nikiah, a beekeeper and priestess, to teach her how to make mead. She wanted a deep red-coloured mead and chose to go with pomegranate-blackberry for her first batch (a most excellent and delectable choice). We crafted it ritually given our magical natures and her sacred work with bees.

The quickening of the mead with yeast

The Quickening of the Mead with Yeast

The Consecration of the Mead

The Consecration of the Mead by Smoke, Drum, and Incantation

Burnt Offerings for the Spirits

Suffumigations for the Spirits of Bees, Ancestors, and Familiars

When we finished our rite, a cloth was placed over the bucket like a veil over a bride not yet wed or talisman not yet birthed into being. Nikiah will stir the elixir every day for a week and then we will come together again to purify it and transfer it into lovely Italian glass where it will reside for many months to come.

It is time for me to rack my own meads. I have thirteen gallons brewing in the kitchen that are almost ready to die and be bottled. The next two batches I desperately wish to make are blackcurrant and maple-cinnamon. I desire to make all of my mead in a sacred manner from now on – consecrated, suffumigated with bee propolis, and anointed with sacred oils.

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All original text and images are copyright of the Witch of Forest Grove. Please do not copy without permission. Text excerpts must be under one paragraph and have full attribution.

© Sarah Lawless 2006-2012

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